




One of the most in-demand choruses in the greater Boston area, NWC has performed in top New England venues for over 20 years.
Learn More →We serve as a premier symphonic chorus in the metro Boston area. Check our calendar to see where we’ll perform next.
Learn More →We appreciate your support of New World Chorale. Your contribution is essential in making our concerts a reality.
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New World Chorale is dedicated to sharing the beauty and majesty of symphonic choral music with orchestras and audiences in greater Boston and beyond.
Our 2026–2027 season includes exciting performances with the Lexington Symphony, NH Philharmonic Orchestra, Claflin Hill Symphony Orchestra, and Cape Ann Symphony. See the calendar for details.
If you are interested in becoming a member of the New World Chorale, we are holding auditions on Saturday, September 26, 2026 at Wellesley Hills Congregational Church. Details are in the calendar entry.
The New World Chorale (NWC) is one of the most in-demand choruses for hire in the greater Boston area. NWC has performed major choral works with: Bach, Beethoven, and Brahms Society; Bay Colony Brass; Boston Ballet; Boston Conservatory Brass Ensemble, Boston Conservatory Orchestra; Boston Landmarks Orchestra; Boston Youth Symphony Orchestra; Cambridge Symphony Orchestra, Cape Ann Symphony; Carlisle Chamber Orchestra; Claflin Hill Symphony Orchestra; Lexington Symphony; Longwood Symphony Orchestra; Melrose Symphony Orchestra; Mercury Orchestra; MIT Symphony Orchestra; New England Brass Band; New Philharmonia Orchestra; Plymouth Philharmonic Orchestra; Rhode Island Philharmonic; Symphony New Hampshire; Symphony Pro Musica; and Wellesley Symphony Orchestra.







New World Chorale joins the Lexington Symphony, under the direction of Jonathan McPhee, in a concert titled “Vivid Images.” Three brilliant depictions that fire the imagination: Richard Strauss’s tone poem about prankster Till Eulenspiegel, Debussy’s stunning portrayal of the sea, and a passage to the land of the dead across the River Styx in Giya Kancheli’s Styx, featuring Lexington Symphony’s Principal Violist, Emily Rideout, and the New World Chorale.
Beethoven’s Ninth Symphony is one of music’s great declarations of human aspiration. Completed in 1824, when Beethoven was almost completely deaf, it expands the symphony into a vast journey from darkness toward joy. The first movement emerges from mystery and struggle; the scherzo drives forward with fierce rhythmic energy; and the slow movemnet offers luminous serenity. In the finale, voices enter a symphony for the first time on this scale, proclaiming Schiller’s “Ode to Joy.” Beethoven does not present joy as simple happiness, but as fellowship wrested from suffering, doubt, and chaos through courage, art, and shared humanity.
Beethoven’s Ninth Symphony is one of music’s great declarations of human aspiration. Completed in 1824, when Beethoven was almost completely deaf, it expands the symphony into a vast journey from darkness toward joy. The first movement emerges from mystery and struggle; the scherzo drives forward with fierce rhythmic energy; and the slow movemnet offers luminous serenity. In the finale, voices enter a symphony for the first time on this scale, proclaiming Schiller’s “Ode to Joy.” Beethoven does not present joy as simple happiness, but as fellowship wrested from suffering, doubt, and chaos through courage, art, and shared humanity.
New World Chorale returns to join forces with CHSO for a monumental, transcendent program of spiritual and celebratory masterpieces! The afternoon opens with the brilliant fanfare of Handel’s Royal Fireworks Music, originally commissioned by England’s King George, II. Next, experience the profound power of Bach’s towering cantata, “Ein feste Burg ist unser Gott,” a definitive work from his historic residency in Leipzig.
For the grand finale, guest soloists and the combined forces of chorus and orchestra bring you Igor Stravinsky’s inspired Symphony of Psalms. Written to honor the 50th anniversary of the Boston Symphony Orchestra, this deeply moving work serves as the ultimate crown on a season of unmatched symphonic glory.
You can’t have a great performance of Neumeier’s “Third Symphony” without a great performance of Mahler’s Third Symphony. Johnathan McPhee, leading the Boston Ballet Orchestra and the New World Chorale, delivered exactly that.
“Working with the NWC is a musical dream! Every note is sung with conviction, musical intent, and artistic refinement. Symphony Pro Musica congratulates NWC on 10 superb years and looks forward to many musical collaborations in the next decade.”
“The New World Chorale is the very finest choral ensemble I have ever had the honor to work with, and their director is one of my premiere partners in bringing great music to new audiences. New World Chorale: We love you, and THANKS for your voices!”
“The New World Chorale, and its Artistic Director, Holly Krafka, is truly one of Boston’s artistic gems. They sing with intelligence, authority, and — most important for me — passion.”